Saturday, August 23, 2025

CAKE Rocks Sterling Heights!


Fans from Detroit and nearby areas rejoiced at the return of CAKE to Michigan Lottery Amphitheatre at Freedom Hill in Sterling Heights last week, and the alt. rock veterans delivered a strong night of their signature tunes, including their biggest hits and plenty of fan favorites. CAKE is a group who famously only tour, write, and record when they wish, and several years often elapse between their periods of activity. In this case, they are touring prior to the release of their long-awaited seventh LP, which is expected to arrive this fall. One new song, "Billionaire in Space," was performed as a preview. Singer John McCrea and company delighted fans with comical interludes between most songs, and the band seemed very comfortable and well-rehearsed throughout. 

As many other groups have taken to doing over the past five to ten years, the concert was billed as "An Evening with CAKE," meaning no opening act and an intermission during the band's performance. Much like other notable alternative rockers, such as Maynard James Keenan and Jack White, CAKE requested no photos or video be taken during the performance although in a gentler, suggestive way. An announcement requesting attendees to avoid using their phones during the performance played prior to the band's intro tape, but they were not required to lock their phones in pouches (like some of White's recent tours) nor were they threatened with ejection from the show for having a phone out (like at Keenan's shows). 

CAKE wisely feature more from their 1996 breakthrough album Fashion Nugget than any of their other releases, but they work hit singles and a few deep cuts from their other five albums as well. The band opened with "Frank Sinatra" and ran through zippy versions of "Stickshifts and Safetybelts" and the stuttering "Perhaps, Perhaps, Perhaps" during the first set, and they featured "Daria" and their biggest hit, "The Distance," during the second half of the concert. Crowd participation is encouraged during almost every song but is most audible during hits like "Sheep Go to Heaven," and "Never There" where the chanted backing vocals can be shared with the audience (as McCrea's unique delivery varies in pace and style through most of the lead vocals, making them harder to sing along with, even if you know most of the lyrics). While the stage itself was relatively undecorated, McCrea controlled a lighted, spinning mirror ball with a foot pedal throughout the concert, including it for at least a few moments during nearly every song.

McCrea is involved with a number of causes, of which is reforestation, and for several tours, he takes a moment during each show to give away a potted tree to the first fan who can shout out what kind of tree it is and who promises to plant it and send a picture. In Sterling Heights, the winner took home a cherry tree, an appropriate choice for Michigan, whose Traverse City is known as the cherry capital of the world. Following the intermission and tree giveaway, the band continued with notable selections from their debut LP, "Comanche," "Ruby Sees All," and "Rock 'n' Roll Lifestyle" as well as 2001's Comfort Eagle, opening the second set with the twangy new wave of "Love You Madly" and treating fans to one of their biggest hits, "Short Skirt/Long Jacket" during the encore. While CAKE have included an original arrangement of Black Sabbath's "War Pigs" for years, choosing to include it to open the encore was a bit more poignant following the recent death of original Sabbath vocalist, Ozzy Osbourne.

By time the concert concluded, the assembled fans were seemingly satisfied, but the show felt a little brief, overall, and could have benefitted from even one or two more songs, especially during the second set. In spite of that, the band's performance was consistently high quality throughout, and it's clear why CAKE's music and shows are so widely beloved. 


Cake, Sterling Heights, MI (8/13/25):
Frank Sinatra
Sheep Go to Heaven
Wheels
Stickshifts and Safetybelts
Long Time
Perhaps, Perhaps, Perhaps (Osvaldo Farres)
Meanwhile, Rick James...
Billionaire in Space
Sick of You
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(intermission)
---------------------------
Love You Madly
Rock 'n' Roll Lifestyle
Comanche
Ruby Sees All
Daria
Never There
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War Pigs (Black Sabbath)
Short Skirt/Long Jacket
The Distance

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Friday, August 15, 2025

Upheaval Brings the Metal to Grand Rapids!

Michigan metal heads rejoiced at the return of the annual Upheaval festival in Grand Rapids, now having completed its fifth year. This two-day, outdoor concert is held in Belknap Park and has hosted a number of metal and hard rock's biggest bands and countless up and coming acts, including KoRn, Godsmack, Disturbed, Sevendust, and many others. This year's gathering boasted sets by Rob Zombie, Falling in Reverse, Crossfade, and Taproot to name some of the biggest. Upheaval has successfully continued to operate long enough to bring in metal and hard rock lovers from around the region, seemingly regardless of the lineup of performers, and while it's a far cry from the peak years of Ozzfest, the metal festival that will forever be the blueprint and comparison for any other, it's also significant for younger metal fans to have opportunities like Upheaval, Inkcarceration, Aftershock, and others, to attend and share in the communal experience of live heavy metal.

Rob Zombie was the lone veteran, legacy act at this year's Upheaval festival, headlining the main stage on the first night, and thoroughly entertaining everyone who outlasted the heat to make it to the end of the day with a blend of solo hits, recent radio singles, and highlights from the '90s peak of his work in White Zombie, which unsurprisingly seems to get the biggest reaction from the audience whenever it's featured. Zombie took a moment to reflect on this year being the 30th anniversary of White Zombie's final LP, Astro Creep 2000..., joking with the audience that their parents used to get thrown out of school for wearing Zombie T-shirts during that album's era. Crossfade did well closing out the second stage and attracted a large crowd though they ran into technical issues during the first few songs that took some time to iron out before their set got up and running. Architects performed a great blend of radio singles that were well received and album tracks which seemed to better represent their sound as members of the band sported Ozzy Osbourne and Nine Inch Nails shirts (coincidentally a week before Ozzy's death but a week after his triumphant final performance in Birmingham, England). Ann Arbor's own Taproot also had a mid-day set on the main stage and balanced new material with notable songs from their first few albums in the '00s. Depending on where one may have been in the festival grounds at any given point, three stages means constant music, and sets from Scene Queen, Horizon Theory, The Plot in You, Return to Dust, and The Funeral Portrait, among others, kept the rock going all day. Even the third stage featured engaging performances from emerging artists like Paralandra and Mr. Denton on Doomsday, an engaging fusion act that splits the difference between KoRn, Primus, and Faith No More.

As has been the case throughout Upheaval's five-year run, the decision to host this event in the middle of July is one of its biggest drawbacks. Members of the audience not only need to buy a ticket, secure transportation, and possibly, parking, lodging, etc., but they must also endure the punishing sun and oppressive heat and humidity for up to two full days, depending on how much of the weekend they are in to experience. While outdoor, summer concerts have always had to battle dehydration, providing shade, sufficient first aid, and adjusting to the elements as needed, recent summers have seen this challenge become progressively more significant and impactful. It's simply too much to assume that the average ticket holder can withstand the heat for such a long, continuous stretch, and Upheaval and all outdoor concert venues and promotors should take note. Even now it already feels like events like these are a limited time offer, and it shouldn't surprise anyone to see fewer of them and possibly a transition to indoor performances, even during the summer, where there is more ability to control the environment.

Having said that, the Upheaval crowd still seems to attend and participate with enthusiasm, and as long as there are enough interested fans and enough available artists to perform, there's a good chance it will continue on for years to come in one form or another. Aside from helping the crowd stay cooler, bringing in a few more big-name legacy acts to validate the price of admission would probably have a positive impact on overall attendance. As long as kids continue to discover and dive into the colorful world of heavy metal history, there will always be room for a big show like Upheaval, but if promoters wish to attract life-long metalheads as well, ending each night with one or two veteran all-stars from the genre would help it to cement a lasting legacy among the many American rock festivals of the 21st century.

Rob Zombie set list (7/18/25 - Grand Rapids, MI)
Electric Head (pt. 1) (White Zombie)
Super-Charger Heaven (White Zombie)
Feel So Numb
Well, Everybody's Fucking in a UFO
Superbeast
Meet the Creeper
Dead City Radio and the New Gods of Supertown
More Human Than Human (White Zombie)
The Triumph of King Freak
Electric Head (pt. 2) (White Zombie)
Creature of the Wheel (White Zombie)
House of 1,000 Corpses
Lords of Salem
Living Dead Girl
Never Gonna Stop
Thunder Kiss '65 (White Zombie)
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Dragula
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Crossfade set list (7/18/25 - Grand Rapids, MI)
Starless
So Far Away
Lay Me Down
Dead Memories
The Deep End
Colors
Already Gone
Dead Skin
Killing Me Inside
Death Trend Setta
Prove You Wrong
Cold
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Architects set list (7/18/25 - Grand Rapids, MI)
When We Were Young
Whiplash
Brain Dead
Curse
Deep Fake
Meteor
Impermanence
Doomsday
Blackhole
Everything Ends
Seeing Red
Animals
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Taproot set list (7/18/25 - Grand Rapids, MI)
Smile
Again & Again
Mine
Myself
Calling
Fractured
Favourite Song
So Eager
Poem
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